Open Questions

Stoicism is getting some attention in contemporary US culture. It is a widely misunderstood philosophy. A daily email, Daily Stoic, provides short observations on Stoicism. Today’s email included this clarification.

One criticism of Stoicism and its emphasis on our ability to control our responses to events is that some reactions really are out of our control. If it gets cold, you’ll shiver. If you hear a loud enough noise, it will startle you. Sure, training can reduce some of this but we are biological creatures. No amount of mental discipline will neutralize a dump of adrenaline or prevent a reflex.

This criticism is often used to dismiss Stoicism…as if the Stoics hadn’t thought about that already. In fact, Seneca readily acknowledges that we will have involuntary reactions to things. He talks at some length about the distinction between motus (our impulses) and affectus (our passions).

Say some stranger comes up and strikes you. You’re going to have a reaction. You might duck. You might throw your hands up. You might even impulsively strike them back. There will be very little thinking involved in any of it. Stoicism is not primarily concerned with those involuntary and immediate reactions. The decision to hate this attacker forever? Being afraid to go outside? Plotting some disproportionate revenge? Those are dangerous passions—passions that are in your control. That’s what Stoicism is about.
~ The Daily Stoic email for January 18, 2018

To which I reply:

Say you have a terrible hangover from tequila. You might attempt to sleep it off, to take aspirin, to moan loudly in your discomfort. The decision to hate tequila forever? Being afraid to go drink again? Plotting temperance advocacy? Those are dangerous passions—passions that are in your control. That’s what Stoicism is about.
~ that voice in my head

Does Stoic humor exist?

While I was in Art school we debated whether photographs of disturbing subjects could or should be beautiful objects. One strong example arguing for this was Brian Fesseden’s Water in the West series. In Brian’s words “A photographic essay focusing on rivers, dams, and the environmental cost of the human expansion of the West.” He opposed the building of dams due to their negative environmental impact. One image hauntingly showed a still fully leafed out tree submerged and drowning in a newly formed lake. The print was gorgeous. Richly toned, beautifully composed, aside from the drowning tree the full scene was bucolic and peaceful. Was it right, we discussed, to make such a beautiful image of such a distressing subject? Would the beauty of the print lull people into supporting the activities the photographer was intending to oppose? Shouldn’t ugly subjects have congruent ugly art depicting them? In the school a large punk population raging against society served as living counterpoint to Brian’s work.

Those questions remain. You can experience the ongoing discussion in the arts and social expressions of the world around you.

This subject comes to mind as we start watching American Gods. Jennifer was not interested. She’s seen reviews objecting to the levels of, to the reviewer, gratuitous violence. Recent viewing of Black Mirror had brought enough physical and psychic violence into our lives. I persisted. The novel by Neil Gaiman is excellent. I had vague memories that the TV series was faithful. It is.

Yes, there is violence. Some, like the reception Nordic seamen receive on the beach of a new island, is even humorous. (sorry, no spoilers from me) But, but!, the visuals of the violent acts are so stunningly beautiful that one can easily suspend revulsion at axes splitting skulls, a lynching, and so on. The producers of the series are not attempting to effect social change. They are telling a story of mythic characters fighting for survival. The beautified violence fits. And, to this eye, does not offend.

Before typewriters many jobs required a fine “hand.” A hand in this context meant the quality of one’s writing. Clerks, certainly, required this skill. Their function was to create legible records.  Professionals such as lawyers also required a fine hand. With the introduction of typewriters a fine hand became less important and speed and accuracy with the machine became the skill needed.

At some point this extended to resumes and job applications.  When did the hand written resume die out? Certainly before I entered the job market in the 1970s.  I have memories of my mom typing dad’s resume in the early 1960s. A typewritten resume was required as much as descring the family status. “Married with three children” was included with job history and military discharge status. My wife reports that in the 1980s there were still some ads that requested hand written resumes – oddly these were for laboring, physical effort jobs, not office positions.

Now resumes are expected in electronic form. The frequent requirement is a Word document or PDF file. Paper is not appreciated.

When might we return to handwritten resumes? I suspect a candidate for some creative position in advertising or gallery work or perhaps someone wishing to be a personal assistant will lead the way. The word of their hand written application and resume will spread and be emulated.

I’m not holding my breath.